Film review: Selma
More than 45 years after the assassination of Martin Luther King Jr, director Ava DuVernay honours the memory of the leader of the U.S. Civil Rights Movement with this impassioned biopic.
While there are lingering doubts about the historical accuracy of Selma, the emotional wallop the film delivers is beyond question.
In particular, the recreation of the iconic march over the Edmund Pettus Bridge chills the blood.
Oxford-born actor David Oyelowo delivers a breakout performance replete with Georgia accent as the activist.
He is mesmerising and would surely have been in Oscar contention as Best Actor later this month had Paul Webb’s script gifted him a few more barnstorming speeches.
DuVernay opens with a chilling act of violence that exemplifies racial tensions of the era.
In 1960s America, political bureaucracy and prejudice deny the African-American electorate the chance to vote in the forthcoming election in which President Lyndon B Johnson (Tom Wilkinson) hopes to be returned to the White House by the
Martin Luther King Jr (Oyelowo) entreats the President to right this democratic wrong but Johnson and his adviser Lee C White (Giovanni Ribisi) don’t consider voting rights to be high on their list of priorities.
So King and his team head to the community of Selma, Alabama to lead a peaceful protest march with their friends from the Student Nonviolent Coordinating Committee
The President seeks a private audience with J Edgar Hoover (Dylan Baker), the first Director of the FBI, to discuss how to remove this thorn from his side.
“We can weaken the dynamic, dismantle the family,” explains Hoover, referring to tensions between King and his wife Coretta Scott King (Carmen Ejogo).
In Selma, local police under the jurisdiction of Governor George Wallace (Tim Roth) attack protesters with batons as TV cameras capture the brutality for horrified viewers.
Consequently, pressure grows on Johnson to intervene while King takes temporary leave of his wife and family to spearhead a second march.
Selma skilfully ebbs and flows between events in Alabama and Washington, relentlessly cranking up the tension between figures on both sides of the debate.
Oyelowo is supported by a terrific ensemble cast including Ejogo as the dutiful wife, who stands by her man despite his dalliances away from home.
“Do you love me?” coolly asks Coretta in one of the film’s most memorable scenes. “Do you love the others?”
Roth chews scenery as the Governor who believes resistance should be met with extreme force, while Wilkinson brings a touch of desperation to the most powerful man on Capitol Hill.
Luther King Jr had a dream and through the lens of DuVernay’s film, we are minded that we must all continue to chase it.